40 Royalty-Free Audio Tracks for "Band Pass"

This is a short 8-bit tune which goes through low pass, normal, band pass and reverb. This could be useful in creating a piece of music or as part of another sound yourself.

Attention- please leave a comment saying what you plan to use the sound for, i am interested. A marching band passes by playing drums and brass instruments.

Crowd noise and school marching band passing by.

Marching band passing by on the street during a music festival.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): pass the band (at)note: c2midi note: 36midi velocity: 32.

A synth pad with lots of band pass filtering.

Accordion band pass filtered tremolo sample remix.

Female voice band pass sample "exchange" remix.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

A creeping acid lead with partial distortion band pass filtered.

Female voice band pass filtered sample "hold" remix.

Recorded at a parade with a zoom h4n. . Caught the drum line passing by.

Festival of the day of the virgin of guadalupe 12/13/19 brooklyn, ny. A parade with marching band, drummers and dancers passing through a cold night in brooklyn.

Esempio di utilizzo del modulo ead in pure data + band pass filter.

Peaky noise sweep, using resonant band pass filters then a sharp cut tail.

A series of heavily distorted synth stabs, more percussive than musical. Band pass filter.

A band of nepali musicians play on the side of a busy road. As the bus passes them the music fades and the music playing on the bus takes over.

Band pass filters applied to a violin improvisation. Nice and ambient. No fades or other additional post production has been done.

This is a recording of a slow freight train passing from about 50 feet away using the internal mics of a tascam dr-40. The recording was made in southern mississippi, usa. The train was going down a gentle slop, around a bend. The engines can be heard approaching and passing, followed by the various sounds made by the wheels as the individual cars pass. The file was edited using adobe audition 6. The processing used was a high pass filter around 30 hz and a multi-band compressor. A couple of times during the recording clipping of the pre-amps can be heard because i was manually riding the input gain.

Sound of deformation of a metal shelf. Sounds like a spring. I use all the sounds in the music of my band electric indians, pre-transforming, so i pass the baton to the next one =).

The user gorgoroth6669 posted an awesome recording of some wolves, somewhere in norge. Http://www. Freesound. Org/people/gorgoroth6669/sounds/76456/. I needed it mono, but the upload was stereo. So, in the process of rendering a mono version. . . I decided to tinker. There's high & low pass filtering as well as a 4 band eq applied. Seems to have significantly reduced the noise. I also forced zero crossings :]. Figured i'd post in case anyone can make use of it√. Takk gorgoroth6669!.

1 hour of hurricane hermine from florida's west coast on august 31st, 2016 using a zoom h4n pro recorder. Mostly rain for the first 20 minutes,then increases and decreases in intensity with the storm bands passing through. Occasional thunder getting heavy about a half hour into it. . Some nearby lightning strikes followed by the sound of emergency sirens and power line crews passing by, add color.

1 hour of hurricane hermine from florida's west coast on august 31st, 2016 using a zoom h4n pro recorder. Mostly rain for the first 20 minutes,then increases and decreases in intensity with the storm bands passing through. Occasional thunder getting heavy about a half hour into it. . Some nearby lightning strikes followed by the sound of emergency sirens and power line crews passing by, add color.

I'm at the corner of 5th and kansas not far from kair 93. 7fm studios. This sound starts with the band from part1 departing and a truck passing. Children talk and yell and a man yells something. Another band approaches. A woman seems to tell someone to say cheese in the distance. The file ends when the band gets a bit too loud for my microphone. Recorded with goldwave with an asus laptop in my backpack and a microsoft lifecam3000 poking out of it facing behind me clothes-pinned to one of the handles of the pack. Unfortunately microsoft no longer supports their lifecam apps so it's not possible to turn down the internal mic gain.

Inspired by 'thatjeffcarter' and his angel breath 4. Wav, i did my own remix of "ocean giant breathing" by 'satoration'. Time stretched, reversed, some band pass lfo, phaser, then some chorus flanger.

Recorded with a zoom h5 on a tram l1 between benedorm and alicante approaching and passing the following stations la vila joiosa, paradís and venta lamus at around 6pm 5th april. No processing but cut using garage band originally recorded in wav format.

This is a deep bass rumble sound. Created in audacity by generating a brownian noise and band passing it through a steep 15 to 100 hz filter. The reason for the roll off below 15hz is to remove energy that doesn't produce any sound. It just moves the speaker cone and wastes amplifier power, thus it was rolled off.

This is a sound i created by using three different things. I recorded my bathroom fan and altered the pitch, added a few cents and overlayed them at 50%, and added a band-pass filter. I also recorded batteries rolling across the bottom of a drawer, lowered the pitch a bit, and added a high pass filter. And then lastly i added some wind that i created by blowing into my hands. That i did not adjust at all. It sounds just like a thunderstorm.

A synth chord i placed in fl studio. C a f c. Using a saw square and pulse pwm wave for combo. Then put a sweeping band pass filter from top frequency to bottom frequency. Then i put a panner with the speed lfo sweeping from fast to slow. Next the right amount of reverb. Finally some copmression and normalizing. Using sound to reach out to angels.

Walking around the night market on sunday april 2nd 2023, in chiang mai, thailand. Starting outside a bar where a band is doing an improv music set, then walking down the road passing stalls and people from all around the world. Feel free to use it however you wish, but if you do, leave a comment here and tell me where it's used, i'm curious to hear :).

Doepfer a-118 white noise through an a-108 vcf8 using the band-pass out. Audio level: 4. 5emphasis/resonance: 9frequency: around 12khz. Recorded using a rme babyface and cubase 6. 5. I tried to cut seemless loops. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

Dybby am chord made on modular synth. The 3 voice oscillator mfb osc-03 is tuned to an am chord (saw tooth wave) (tuned by ear. . . ). The sound is going to an uoki-toki polivoks filter in band pass mode and to a vca. From vca to zoom ms-70cdr tape echo effect and back to modular and into the ladik r-330 reverb. From reverb to mixer and out module to computer and audacity. And to you :-).

This is an aif (garage band) file of just good ol' tape hiss recorded from a jvc tape machine (cassette). It's just tape hiss. You can change the freq to help blend it in your recordings. I have the volume on this at a higher level. When i blend this with my digital recordings i turn it down just enough to hear it without it being too analog sounding. Hope you can use it. It's great for soft passes and solo instruments, much like white noise of a studio perhaps.

A sample i made years ago. Pitched way down to create a seamless loop of ambience with two automated notch filters and an automated bandpass filter on flstudio's pmeq2. If required, i can process this sound again with different filters for those who request it. This is not the fully opened sound. Hope you enjoy ^_^~byngsies.

This helicopter sound design was created at fl studio, in the sytrus synthesizer. The sound consists of four layers. 1. Sine wave frequency of 44 hz. Simulates the low frequency noise of propeller blades. 2. White noise passed through the svf filter. Simulates the noise of propeller blades. 3. Saw wave. Simulates the sound of an engine. 4. The sine wave. Imitates a high-frequency whistle of the engine. Various modulations are applied to all waves through the envelopes of the synthesizer. Next, the signal on the mixer channel is processed by a multi-band exciter and equalizer. Then a signal was sent to two channels with delay processing. One of them imitates reflections. In the lower-middle frequency range. On the second in the upper-middle frequency range. As you approach the sound source, the volume parameters of the direct and reflected signals are automated, low pass filter, pan width and equalization of direct sound. The helicopter performs strange maneuvers, as if making constant circles during the approach to the listener. I did not seek to create the veracity of these maneuvers.

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from Act I of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details This file is heavily retouched from the original, including noise reduction, multiband spot compression, band-pass filtering, and spot repairs of clicks, pops, and NR artifacts. Edits made by Kevin McCoy, User:Kmccoy, and credit is appreciated.

This was all recorded in enumclaw, wa on july 4th, 2013. I used a yamaha pocketrak recorder throughout the day and into evening when the fireworks started. There's an old piano outside the music store and i just caught the end of a young guy playing some nice music. I then just walked down the street recording the sounds. You can hear me talking to a guy who's working for a local politician. The b-25 mitchell bomber flyover was totally unexpected and i was lucky to have had the recorder going. It made two passes right over me and i love the sounds of those engines. It was a great day. Please comment on what you will use it for. Thanks. :^).

This recording is for people who hate the highlighted high frequencies. An old sabian aax small recorded with a røde m5 mic. I the created two copies of the original recording:1. On the first file i applied low pass at 2 khz and hard compression at -24 db without makeup gain. 2. On the second file i applied high pass at 2 khz and hard compression at -24 db without makeup gain. Then i lowered -2 db all the spectrum except for the band from 3. 5 khz to 9. 1 khz and i applied hard compression at -24 db without makeup gain. I merged the two files. The envelope was very flat due to the compression and thus i reshaped it on wavelab (process > level envelope. . . Or press the "v" keyboard button; draw a natural fade out in steps [non-linear]). The result is a warm crash for people who don't want them loud.

Pajarito it's the name of the song. What you hear are jacanas, the small traditional guitars used by jarocho's musicians, and one requinto guitar (and some kids laughing). Playing jaranas: elías meléndez, who i personally dubbed as "the muddy waters of son jarocho" -he passed away on 2017-; arturo barradas, leader of soneros del tesechoacan, a famous jarocho music band, and his son, young elías barradas. Playing the requinto guitar is adrián luna, who for many years was a member of the grammy awardees group los cojolites. Adrián luna's voice is on one song (el conejo) included in the soundtrack of the two oscars winner and internationally recognized movie frida (2002). Recorded with zoom, in 2013, in tuxtepec, oaxaca, during a jam session. Rip elías meléndez.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).